Monday, March 30, 2009

Progressive ... Rocking Chairs, continued

As you can see in my last post, the first day of painting was spent planning out the perspective lines and starting to block in some foundation colors:



By the end of the next day, the entire canvas was covered, giving me the basic colors and tones to actually start the final painting.  Because I want the chairs to capture the most attention, I then deepened the distant background and muted the color of the wall on the right side:

The third day was spent changing tones that bothered me, such as adding a warmer color into the porch floor and the shadows upon it.  All the horizontal lines behind the chairs bothered me, so the foliage shadow design was extended across the porch.  I like that better.   The chair details were also cleaned up.  

Yes, I did actually paint the entire picture twice by this time.  I heard somewhere that you are not really painting until you are pushing paint into paint.  That's probably true.  This stage of the work is always the most fun for me.  It's where the magic happens:


Close up of the chairs: 



The painting will dry for a week or so, then I will look at it again with fresh eyes and probably make a few more changes.  I hope you enjoyed seeing how this painting was created.  Please drop me a line if you have any questions.

Thursday, March 26, 2009

Progressive ... Rocking Chairs

I always enjoy seeing how another artist creates a painting.  Even though I have painted for decades myself, I still get excited about the mystery involved in the creation of an original work of art with just canvas and paint. So, I thought I would share with you the progressive pictures of an piece I am starting. 


Using a photo I took in Tampa recently, I am beginning a 16 by 12 inch painting on canvas of two rocking chairs on a wooden porch. The original photo:



There are many ways in which I might start a work, depending on the subject and complexity of the composition.  In this case, I have several reference photos to show me the shape of the chairs and the fall of the shadows, but the perspectives have been warped by the camera. This is a complex design to paint, so I began with a tight pencil sketch to correct the perspective lines.



Then, I began blocking in the first layer of colors.  I usually start with the background, working towards the foreground and finish with the main subjects, in this case the chairs.  I have found this the easiest way to work, in order to get sharp edges in the primary subjects.  At this point, I am just trying to cover the areas well by scrubbing some basic tones into the texture of the canvas.  



This is the end of the first day.

Monday, March 23, 2009

Tulips on Blue

oil on panel
6 inches by 6 inches



Friday, March 20, 2009

Around the Studio ... The Sunken Gardens

Recently, I had the pleasure of a visit from my high school friend Nancy from Massachusetts.  So, we took her to one of my favorite Florida spots, the St. Petersburg Sunken Gardens.


The Sunken Gardens is a lush four acres of exotic tropical plants and wildlife from around the world.  In 1902, a plumber named George Turner drained a shallow lake on his property and uncovered a sinkhole as deep as 15 feet below street level.  So, he planted a garden! Talk about turning lemons into lemonade.

Of course, I took lots of photos.  I think some paintings may come out of this trip.

This picture is Nancy and my husband Al walking down one of the many garden paths.

Wednesday, March 18, 2009

Three China Cups

oil on panel
6 inches by 6 inches

Saturday, March 14, 2009

Around the Studio ... Second Place!



The results are in!  The artists of eBay have voted my work a second place in the still life/interiors category.  A heartfelt thank you to all who voted for me, and congratulations to all the 2008 winners!

Wednesday, March 11, 2009

Watermelon With Slice II

oil on panel
6 inches by 6 inches


Thursday, March 5, 2009

Plums on Linen

oil on panel
6 inches by 6 inches




Monday, March 2, 2009

Around the Studio ... Congratulations Jack!

The Agent's Office
oil on canvas
12 x 18 inches

I met John Dietz almost thirty years ago.  He came swaggering into the Rochester, Michigan art gallery that I was living in (that's another story!), looking as if he had just tied up his horse outside.  

Back then, Jack was creating large paintings of strong, proud Native Americans with red and white face markings and feathered headdresses.  His realistic style was tight and clean, down to the details of the delicate feathers. Today, his western subjects range from rugged mountain men to classic firearms.

Jack's painting "The Agent's Office" is a finalist in the last round of judging in the Hunting Art Prize in Houston, Texas.  Congratulations!

John Dietz's paintings can be viewed at www.JohnDietzStudio.com.